Cutting a little bit across these frequencies can really help with clarity.Ī little boost between 2-5kHz can aid with clarity in the mix, without you having to turn up too much. This it where it can sound muddy and thick. If you have a dual-source system with a mic inside the guitar, pay careful attention around 100-300Hz. Start by boosting those frequencies as you sweep, then when you’ve found the frequencies where you like it least, give it a serious cut.Ī little boost between 2-5kHz can aid with clarity in the mix, without you having to turn up too much Using an under-saddle pickup? Spend a little time using a parametric mid to sweep around 800Hz-2kHz to find where it sounds most nasal and nasty. This is what your high-pass filter is for. These frequencies just clash with the bass and drums and make your band sound more muddy. If you’re playing with a band, don’t be afraid to shelve off everything below 80Hz, maybe even 100Hz. A few dB here and there is all you should need if you’ve got a decent guitar, a reasonable mic and the positioning there or thereabouts! 5 EQ tips for playing live If you find yourself radically EQing things just to get a workable sound, you probably need to rethink the recording process. You can get a great lift in presence in the mix without having to increase the overall volume. Very similar to the live application, 2-5kHz is where you’ll find sparkly treble for string articulation and liveliness. High-quality, smaller-body guitars can have plenty of strength here for lovely vintage-style sounds, but cheap guitars can sound exactly that without a bit of care in this area. The ‘hi-fi’ sound starts taking shape in the mids between about 800Hz and 2kHz if you go for a big cut. If you find yourself radically EQing things just to get a workable sound, you probably need to rethink the recording process If your mic is booming or ‘woofing’ a little bit around the soundhole, cutting frequencies between 100 and 300Hz can really help, giving the whole thing more poise and clarity.
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